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14-day money back guarantee included if product is not activated
You can purchase from Gear4music with complete confidence and peace of mind. All of our digital products come with a 14-day money-back guarantee as standard.
If you decide you don't want your order, you can return it within 14 days of receiving it. Provided your product hasn't been activated in that time, you can exchange it for a different product, or get a refund.
We will only issue a new product or refund if the supplier confirms that your product has not been activated. At the same time, we will ask them to invalidate it so that it cannot be used in the future.
This does not affect your statutory rights.
For more information, please refer to our Returns and Refunds Information.
If you decide your order isn't suitable for any reason you can return it - just let us know within 60 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 60 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
Key Features
Take on any task. The FabFilter Mixing Bundle is a must-have for any artist, producer or mix engineer who wants to achieve the finest results possible. With these tools in your arsenal there's no excuses. No expenses spared, FabFilter have handpicked seven of their favourite, award-winning plugins for you to enjoy.
Sculpt your sound with the legendary Pro-Q3 equaliser. Make the most of the powerful Pro-C to tame the most dynamic performances and add excitement to your signal. The inclusion of the Pro-G allows you to minimise the risk of excessive bleed compromising the quality of your recordings, whilst Pro-R 2 is the perfect choice for adding space and depth to any mix. Thanks to the inclusion of Pro-Saturn 2, you'll be free to inject a touch of analog magic into your in-the-box recordings. Pro-Timeless 3's versatile engine provides a delay to suit every event. Compatible with most DAWs, it's time to propel yourself into new realms of creativity thanks to FabFilter.
Please Note: This product comes in the form of a digital download code that will be sent to your email for activation.
Product Ref: 170883
Perfect for mixing and mastering. There's good reason why FabFilter's Pro-Q 3 is adored by industry greats such as Dave Pensado (Michael Jackson, Solange, Christina Aguilera), Disclosure and Eric Valentine (Queens of the Stone Age, Slash, All American Rejects).
Pro-Q 3 is here to up the game thanks to the inclusion of the all-new dynamic EQ mode. Incredibly easy to use, this can be applied to any of the 24-bands and best of all, it only reduces signal when prominent resonances are detected. This guarantees that the integrity of your signal is maintained at all times. Simply increase or decrease the dynamic range ring on the gain knob to apply subtle compression or expansion. This can be a real game changer when you're mixing a powerful vocalist with lots of powerful overtones and sibilance.
For the finest results possible, A.I intelligence determines attack, release and knee settings. The threshold can be adjusted manually to suit the needs of the material. This ensures that you don't get lost in the technicalities and can focus on what's most important - the music!
The FabFilter Pro-R 2 is a world-class reverb plug-in that provides you with a huge array of flexibility through an easy-to-use interface with musically appropriate control names. Straddling the line between digital and algorithmic reverb, Pro-R 2 sets itself apart with its immaculate sound quality and seamless blending with any sound source. Upgraded for the modern producer, it brings a host of next-gen features to the table when compared to the previous version. Dolby Atmos multi-channel compatibility, two brand-new reverb algorithms including Plate and Vintage, IR import and replication ability to customise your favourite impulse, ducking and gating functions, analog-style saturation, and much more.
Make the most of the Pro-C 2, this plugin is as good as it gets when it comes to compression. Thanks to the abundance of controls it provides, you'll be able to tame the wildest of sources with absolute conviction. M/S processing? Check. Side-chaining? Check. Optional EQ filtering? Check. The Pro-C 2 is a real workhorse, after one session you'll soon realise why it's a must-have plugin for Grammy award-winning mix engineer, Tony Maserati (James Blunt, Alicia Keys, Beyonce).
No matter what stage you're at in your career, whether you're a mix, or mastering engineer, it's inevitable that you'll have to deal with sibilant recordings. Even if you're using the finest signal chain possible, the use of compression and distortion can easily over-emphasise "s" and "t" sounds, making singers sound harsh and brittle. Whether used on individual tracks, or on the master buss, the Pro-DS is designed to deliver the goods, time and time again.
FabFilter Timeless 3 is a complete solution for creating world-class, customised delays within your projects and mixes with an unrivalled level of control, flexibility and modulation. The importance of delay within the context of a musical mix cannot be understated. It can be used to create depth and movement with a single or group of tracks or it can be the catalyst of your arrangement by becoming the main rhythmic element and focus. Timeless 3 allows you to both use it as a creative tool through the plethora of features including the newly designed 'Taps' section, letting you take granular control over your repeats to add up to 16 customised taps. From short slap-back effects that add weight and thickness to your sound, to long and dreamy echos that will take your track to another world, Timeless 3 delivers every type of effect you will need in pristine quality.
Bring your sounds to life with the Pro-Saturn 2. This is the ultimate distortion effect. Whether you want to emulate the sound of vacuum tubes on the verge of break-up, or tape saturation and lo-fi bit rate effects. Saturn 2 will mangle your sound beyond recognition when pushed to extremes. The handy "mix" knob allows you to create the perfect balance between your wet and dry signal, eliminating the need for complicated parallel processing set-ups.
If you're working with material that was recorded live then a gate is highly useful. The Pro-G is perfect for ensuring that there's no undesirable amplifier hum on your guitar and bass recordings. It can also be effective when it comes to reducing bleed on multi-mic'd sources such as drum-kits and saving "keeper" vocals recorded live during the initial stages of production.
