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Once confirmation has been received that your payment has been successful from your chosen payment method provider, then we can process your order and send your email containing your unique code and instructions on how to download the software from the Supplier.
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14-day money back guarantee included if product is not activated
You can purchase from Gear4music with complete confidence and peace of mind. All of our digital products come with a 14-day money-back guarantee as standard.
If you decide you don't want your order, you can return it within 14 days of receiving it. Provided your product hasn't been activated in that time, you can exchange it for a different product, or get a refund.
We will only issue a new product or refund if the supplier confirms that your product has not been activated. At the same time, we will ask them to invalidate it so that it cannot be used in the future.
This does not affect your statutory rights.
For more information, please refer to our Returns and Refunds Information.
If you decide your order isn't suitable for any reason you can return it - just let us know within 50 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 50 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
Key Features
Take on any task. The FabFilter Pro Bundle is a must-have for any artist, producer, mixing or mastering engineer who wants to achieve the finest results possible. With these tools in your arsenal there's no excuses. No expenses spared, FabFilter have handpicked seven of their favourite, award-winning plugins for you to enjoy.
Sculpt your sound with the legendary Pro-Q3 equaliser. Make the most of the wide range of dynamic processors provided to tame undesirable peaks and add excitement to your signal. The inclusion of the Pro-G allows you to minimise the risk of excessive bleed compromising the quality of your recordings, whilst Pro-R is the perfect choice for adding the finishing touches to any mix. Compatible with most DAWs, it's time to propel yourself into new realms of creativity thanks to FabFilter.
Please Note: This product comes in the form of a digital download code that will be sent to your email for activation.
Product Ref: 170880
Perfect for mixing and mastering. There's good reason why FabFilter's Pro-Q 3 is adored by industry greats such as Dave Pensado (Michael Jackson, Solange, Christina Aguilera), Disclosure and Eric Valentine (Queens of the Stone Age, Slash, All American Rejects).
Pro-Q 3 is here to up the game thanks to the inclusion of the all-new dynamic EQ mode. Incredibly easy to use, this can be applied to any of the 24-bands and best of all, it only reduces signal when prominent resonances are detected. This guarantees that the integrity of your signal is maintained at all times. Simply increase or decrease the dynamic range ring on the gain knob to apply subtle compression or expansion. This can be a real game saver when you're mixing a powerful vocalist with lots of powerful overtones and sibilance.
For the finest results possible, A.I intelligence determines attack, release and knee settings. The threshold can be adjusted manually to suit the needs of the material. This ensures that you don't get lost in the technicalities and can focus on what's most important - the music!
The Pro-MB is an industry standard, premium multi-band compressor/expander. The six processing bands can be placed anywhere you desire within the frequency spectrum. Whether you're reducing "boom" or taming "harsh" sibilance, the Pro-MB will be a real asset to you. Highly innovative, you're provided with a blank slate to work from, however you like. Although, if you prefer to work "old-school" then you'll be able to merge bands together to emulate traditional crossover systems. Incredibly versatile, you'll be free to determine the threshold, range, attack, release, output gain, ratio, variable knee, lookahead, variable stereo linking, mid-or side-only processing, and so much more.
Make the most of the Pro-C 2, this plugin is as good as it gets when it comes to compression. Thanks to the abundance of controls it provides, you'll be able to tame the wildest of sources with absolute conviction. M/S processing? Check. Side-chaining? Check. Optional EQ filtering? Check. The Pro-C 2 is a real workhorse, after one session you'll soon realise why it's a must-have plugin for Grammy award-winning mix engineer, Tony Maserati (James Blunt, Alicia Keys, Beyonce).
When you're mixing and mastering, the Pro-L2 will prove to be an utterly indispensable tool. This true peak limiter provides you with a real number of options, from transparent and clean, to gritty and bold, the Pro-L2 can do it all and then some! The wide range of controls that the limiter provides such as metering, true peak limiting, surround support, oversampling and dithering ensures that your mixes are optimised at all times. Make the most of the four new limiting algorithms, "Modern" is a great all round workhorse, "Agressive" is a must-have for EDM/Dance styles, "Bus" will also prove particularly useful on instrument buses and individual tracks. If you're not part of the "loudness wars" then "Safe" will be a welcomed treat, minimising any risk of distortion.
The musicians' favourite. From Classical to Rock, and Jazz to Pop, no matter what genre you record, it's likely that you'll use some form of reverb when recording and mixing. Thanks to its intuitive interface, you'll instantly feel at home when using the Pro-R. This plugin features a wide range of controls and highly-realistic emulations of various spaces to enrich your productions and performances. The Pro-R has been carefully designed to ensure it easily sits in any mix, without creating phase issues and introducing unwanted colouration. This plugin will take your mixes to new heights.
No matter what stage you're at in your career, whether you're a mix, or mastering engineer, it's inevitable that you'll have to deal with sibilant recordings. Even if you're using the finest signal chain possible, the use of compression and distortion can easily over-emphasise "s" and "t" sounds, making singers sound harsh and brittle. Whether used on individual tracks, or on the master buss, the Pro-DS is designed to deliver the goods, time and time again.
If you're working with material that was recorded live then a gate is highly useful. The Pro-G is perfect for ensuring that there's no undesirable amplifier hum on your guitar and bass recordings. It can also be effective when it comes to reducing bleed on multi-mic'd sources such as drum-kits and saving "keeper" vocals recorded live during the initial stages of production.
